Modern Art, Postwar Art, Contemporary Art & Design
Friday 27 November 2026 at 14:00
Salle 6 - Hôtel Drouot, 9, rue Drouot, 75009 Paris
188 lots
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51 - Roger LIMOUSE (1894–1989) Still Life. Oil on paper mounted on canvas. Signed upper right. 24 x 33 cm. Small hole. Provenance: Collection of Bernard de Saint-Aignan, art critic. Passed down through the family.
Estimate €300 - €500 -
52 - MANÉ-KATZ (1894–1962) Landscape of Ukraine at Sunset. Oil on canvas. Signed lower right. 24.5 x 33 cm.
Estimate €1,500 - €2,500 -
53 - Maurice ESTEVE (1904-2001) Still life, 1935. Watercolor and gouache on paper mounted on cardboard. Signed and dated lower right. 25 x 32.4 cm. Rousseurs and stains.
Estimate €2,300 - €2,500 -
54 - André LANSKOY (1902–1976) Family in an Interior. Oil on canvas. Signed upper left. 60 x 80 cm. Small stains and minor scratches. Provenance: Raymond Schmit Collection. Private collection.
Estimate €2,000 - €3,000 -
55 - Charles WALCH (1896–1948) Woman with a Bouquet of Flowers. Gouache on paper. Signed lower center. 60 x 45 cm (visible area). Stains. Provenance: Collection of Bernard de Saint-Aignan, art critic. Passed down through the family.
Estimate €300 - €500 -
56 - Henri LE FAUCONNIER (1881–1946) Saint-Martin Church in Grosrouvre, 1942. Oil on paper mounted on canvas. Signed lower right. Countersigned and dated on the back. 73 x 60 cm.
Estimate €500 - €700 -
57 - BAUDELAIRE (Charles) - GRAU SALA The Flowers of Evil. Original lithographs by Grau-Sala. Paris, La bonne compagnie, 1943, in-8, maroon calfskin, ill. with a garnet calfskin interleaf on the covers, smooth spine, garnet paper and garnet felt lining, illustrated cover and spine preserved, slipcase (P. Brindeau). One of 15 copies on Arches paper (no. 14) featuring an original color drawing and a black-and-white series of lithographs.
Estimate €400 - €600 -
58 - Adolphe Mouron CASSANDRE (1901–1968) Les absentes, 1942. Portraits of two women, including the actress Andrée Clément. Oil on canvas. Signed and dated lower right. Counter-signed on the back. 81 x 100 cm. Scratches, stains, and small areas missing. Provenance: Galerie René Drouin, Paris. Private collection.
Estimate €3,000 - €5,000 -
59 - Yves BRAYER (1907–1990) The Cadre Noir in Fontainebleau, 1943. Oil on canvas. Signed, located, and dated in the lower left corner. 24.5 x 35.5 cm. Minor cracking and small stains. Provenance: Galerie Saluden, Quimper.
Estimate €1,500 - €2,500 -
60 - Jim Eugène SEVELLEC (1897–1971) Rue de Siam and the entrance to the Maritime Prefecture, Brest. Oil on canvas. Signed lower left. 100.5 x 81 cm. Small stains.
Estimate €2,000 - €3,000 -
61 - CAMUS (Albert) The Stranger. Paris, Gallimard, 1942, in-12, 159 pp., in-12, softcover with printed cover, in a slipcase and modern dust jacket. FIRST EDITION. Press copy. Includes a loose tribute card from the author. Press copies, which are not intended for sale, do not bear the price (25 francs) on the spine. Spine sun-faded; some foxing and soiling on the covers; traces of water damage on the slipcase.
Estimate €4,000 - €6,000 -
62 - CAMUS (Albert) The Misunderstanding. A play in 3 acts. Caligula. A play in 4 acts. Paris, Gallimard, 1944, in-12, half-bound in raspberry-colored, coarse-grained morocco leather with bands, smooth spine, gilt head, cover and spine preserved, fawn-colored paper lining (Lobstein-Laurenchet). FIRST EDITION. A non-commercial copy on Holland van Gelder paper, printed especially for Charles Gay. Includes a loose card “from the author, who is absent from Paris.”
Estimate €2,000 - €3,000 -
63 - Maurice UTRILLO (1883–1955) Vase of Flowers. Oil on canvas. Signed lower right. 33 x 24 cm. Minor cracking. Provenance: Private collection. A copy of the certificate issued by Paul Pétridès and Jean Fabris, dated June 14, 1990, will be provided to the purchaser. We thank the Maurice Utrillo Association for confirming the authenticity of the work. This painting is comparable to a composition listed under number 2295 in Paul Pétridès’s book, *The Complete Works of Maurice Utrillo, Volum
Estimate €15,000 - €20,000 -
64 - Oscar DOMINGUEZ (1906–1957) Don Quixote. Indian ink on paper. Signed lower right 17 x 26 cm. Minor foxing, stains, and wear along the edges. Provenance: Mes Lenormand-Dayen auction, Hôtel Drouot, March 29, 1990, lot 74. Private collection.
Estimate €800 - €1,000 -
65 - Jean DUFY (1888–1964) Honfleur, Place Sainte-Catherine. Graphite on paper. Signature stamp, lower right, partially erased. 26 x 41 cm. Folds, foxing, and stains. Upper edge glued to the mat.
Estimate €300 - €500 -
66 - Jean DUFY (1888–1964) Bruges. Graphite on paper. Signed with a stamp, partially erased, located in the lower right corner. 27 x 42 cm. Fading and stains. Sheet mounted on the mat.
Estimate €300 - €400 -
67 - Jean DUFY (1888–1964) Portrait of a Woman. Brown ink on paper. Signature stamp in the lower right corner. 49 x 53 cm. Creases, small tears along the edges, and stains. Top edge glued to the mat.
Estimate €300 - €400 -
68 - Mikhail LARIONOV (1881–1964) & Natalia Sergeyevna GONCHAROVA (1881–1962) Double sheet; the front of the first sheet is painted in watercolor and ink, with an annotation in the upper left corner in Italian: “Saluti Karo Dottore!!!” and signed in the lower right corner: “Michel Larionoff. ” On the front of the second sheet is a handwritten letter signed in Italian, most likely from the doctor’s daughter: “Dearest little papa (?), here is the promised drawing that Larionoff crea
Estimate €3,000 - €5,000 -
69 - COLLECTIVE Europe. Monthly review n°47. December 1949. 1 paperback volume. Special issue with a beautiful autograph signature by Pablo Picasso in graphite. Stains, folds and small tears to binding.
Estimate €1,000 - €1,500 -
70 - HOME FURNISHINGS (1946–1952) Cosy corner, circa 1947. Made of ash and mahogany veneer, consisting of two pieces: a storage unit with a quadrangular body forming a double niche, resting on a solid double base, and a deep storage cabinet forming a return that opens with a drawer; the front features a series of decorative drawers with stylized handles. Signs of wear, scratches, veneer chips, and missing glass doors. H.: 87 cm; W.: 231 cm; D.: 100 cm. Provenance: Acquired by Mrs. X from L’Équi
Estimate €1,000 - €2,000 -
71 - Charlotte PERRIAND (1903–1999) Chair, Model No. 20, known as “Tout bois,” circa 1947. Made of ash and ash veneer, with a thick, slightly concave circular seat and a hollowed-out trapezoidal backrest, resting on three tapered legs mounted at an angle. H.: 71.5 cm; W.: 36.5 cm; D.: 40 cm. Produced by Équipement de la maison. Signs of wear; veneer missing on the seat. Provenance: Acquired by Mrs. X from Équipement de la maison, located at 4 Rue Marcel-Peretto in Grenoble. Passed down throu
Estimate €5,000 - €7,000 -
72 - Charlotte PERRIAND (1903–1999) Chair, Model No. 20, known as “Tout bois,” circa 1947. Made of ash and ash veneer, with a thick, slightly concave circular seat and a hollowed-out trapezoidal backrest, resting on three tapered legs mounted at an angle. H.: 71.5 cm; W.: 36.5 cm; D.: 40 cm. Produced by Équipement de la maison. Signs of wear, missing veneer, and damage to the seat. Provenance: Acquired by Mrs. X from Équipement de la maison, located at 4 Rue Marcel-Peretto in Grenoble. Passe
Estimate €7,000 - €9,000 -
73 - Charlotte PERRIAND (1903–1999) Model No. 10 collapsible coffee table, circa 1947. Made of ash and ash veneer, with a circular top resting on a tripod base of log-style legs joined by a cross-shaped brace. H: 36 cm; W: 71 cm; D: 66 cm. Produced by Équipement de la maison. Signs of wear, a few chips and scratches. Provenance: Acquired by Mrs. X from Équipement de la maison, located at 4 Rue Marcel-Peretto in Grenoble. Passed down through the family. Bibliography: Catalog of the “Mobi Boom�
Estimate €7,000 - €9,000 -
74 - Pierre JEANNERET (1896–1967) Prototype desk or variation on Model No. 9, circa 1947. Made of ash and mahogany veneer, with a thick, free-form top resting on two tapered legs and a cabinet featuring three drawers of varying sizes with notched pulls set on a slightly recessed baseboard. H.: 72 cm; W.: 112.5 cm; D.: 60 cm. Produced by Équipement de la maison. Signs of wear, discoloration, and woodworm holes. Provenance: Acquired by Mrs. X from Équipement de la maison, located at 4 Rue Marcel-P
Estimate €10,000 - €15,000 -
75 - Charlotte PERRIAND (1903–1999) & Pierre JEANNERET (1896–1967) Model No. 5 collapsible cabinet, circa 1947. Made of ash and ash veneer, with a quadrangular body, opening via two sliding doors on the front made of mahogany plywood with profiled handles and resting on a slightly recessed plinth base. Interior layout includes drawers of varying sizes, a compartment, shelves, and a hanging rail. Features stenciled markings serving as assembly guides. H.: 158 cm; W.: 163.5 cm; D.: 58 cm. Produ
Estimate €12,000 - €15,000 -
76 - Charlotte PERRIAND (1903–1999) & Pierre JEANNERET (1896–1967) Base unit of a bookcase with legs forming a sideboard, circa 1947. Made of ash-veneered slatted wood with a quadrangular body, opening via two sliding doors on the front panel finished in mahogany veneer with profiled handles, resting on two block legs joined by a stylized crossbar. H.: 62 cm; W.: 124.5 cm; D.: 27 cm. Produced by Équipement de la maison. Signs of wear, a few chips in the veneer, and scratches. Provenance: Ac
Estimate €8,000 - €10,000 -
77 - André THURET (1898–1965) Heavy vase, circa 1950. Conical in shape, made of translucent glass with blue and red metal oxide inclusions. Signed “André Thuret” with a point on the reverse. H: 13 cm; W: 14 cm.
Estimate €800 - €1,200 -
78 - Pablo PICASSO (1881–1973) & MADOURA Four Intertwined Profiles, 1949. Round/square plate. Red earthenware piece, decorated with black engobe and black-and-white designs on the back. Bears the sunken stamps “Original Imprint by Picasso” and “Madoura Full Fire” on the reverse. Diameter: 25.5 cm. Small chip in the center and another along the edge of the rim on the back. Small spots and minor scuffs. Provenance: Gifted by Suzanne Ramié to her friend Frédérique Duran, an artist, m
Estimate €4,000 - €6,000 -
79 - Pablo PICASSO (1881–1973), after & MADOURA Dove on a Bed of Straw, 1949 Rectangular dish. White earthenware piece decorated with engobes, knife-engraved designs standing out against a black background. Beige-glazed reverse with the handwritten inscription beneath the glaze “1175 Madoura after Picasso,” preceded by a monogram and the sunken stamp “Madoura plein feu.” 31.5 x 39 cm. Very slight firing flaws and minor scuffs. Bibliography: Alain Ramié, *Picasso, Catalogue of Ceramic
Estimate €5,000 - €7,000 -
80 - Pablo PICASSO (1881–1973) & MADOURA Bullfight on a Black Background, 1953. Rectangular dish. White earthenware piece decorated with engobes, engraved with a knife in blue, green, white, brown, and black underglaze, and dated “25.9.53.” Bears the sunken stamps “Edition Picasso” and “Madoura plein feu” on the reverse. 31.3 x 38.3 cm. Minor scuffs, slight chips, and small restorations along the rim. Bibliography: Alain Ramié, *Picasso, Catalogue of Ceramic Works Published 1947
Estimate €3,500 - €5,000 -
81 - Michel TOURLIERE (1925–2004) Fish and the Night. Polychrome wool tapestry. Signed lower right and titled on the ribbon on the back. Picaut Workshop in Aubusson. 202 x 150 cm. Minor wear and stains.
Estimate €1,500 - €2,000 -
82 - Marie-Laure BONNAUD VAUTRIN (1943-2022) Three-row necklace, circa 2000. Made of beige talosel pendants with mordor paper inclusions. Unsigned. Length: 24.5 cm.
Estimate €500 - €700 -
83 - Line VAUTRIN (1913–1997) Necklace, circa 1960. A double-strand necklace featuring five teardrop-shaped pendants, composed of beige talosel pendants with blue mirror inclusions. Signed with a “Joux” disc on the reverse of one of the two circular cabochons that hold the clasp. Diameter: 39 cm. Slight crazing.
Estimate €1,000 - €1,500 -
84 - Line VAUTRIN (1913–1997) Brooch, circa 1958. Features a pear-shaped body made of champagne-colored talosel, adorned with spikes containing violet mirror inclusions. Signed “Line Vautrin” on the reverse. L.: 5.8 cm. Damage, chips, and cracks.
Estimate €400 - €600 -
85 - Line VAUTRIN (1913–1997) Small hand mirror, circa 1960. The brown talosel frame is adorned with cabochons containing gold mirror inclusions; the back, featuring a radiating pattern, has a small mirror disc at its center. Unsigned. Diameter: 8 cm. Signs of wear, a crack in the mirror, and slight warping of the handle.
Estimate €400 - €600 -
86 - Line VAUTRIN (1913–1997) Rare “Cactus” model wall mirror, circa 1968. Features a circular frame in champagne-colored talosel adorned with a double crown of spikes incorporating gold, silver, and blue mirror fragments; the mirror itself is a convex “witch’s mirror” in its original form. Signed “Line Vautrin” and bearing the “Roi” mark on the reverse. Diameter: 18 cm. Slight crazing and minor signs of wear. Bibliography: Patrick Mauriès, Line Vautrin, Miroirs, Galerie Chaste
Estimate €20,000 - €25,000 -
87 - Mithé ESPELT (1923–2020) Mirror known as “Copte Terre,” circa 1965. Ceramic mirror with a pediment inlaid with glass paste forming a radiant sun against a crackled, gold-glazed background. Green felt on the back. 32.5 x 26 cm. Bibliography: Antoine CANDAU, Mithé Espelt, Le luxe discret du quotidien, Ed. Odyssée, 2020, similar model reproduced on p. 164.
Estimate €1,500 - €2,000 -
88 - Mithé ESPELT (1923–2020) Thermometer. Made of pink glazed ceramic with a gold crackle finish and glass paste inclusions. Green felt on the back. 40 x 10.5 cm.
Estimate €400 - €600 -
89 - Mithé ESPELT (1923–2020) Circular mirror. Made of blue, white, and green glazed ceramic, decorated with flowers and leaves. Green felt on the back. Diameter: 33 cm.
Estimate €1,000 - €1,500 -
90 - Lucien GENIN (1894–1958) The Church of Saint-Germain-des-Prés. Gouache on paper, mounted on cardboard. Signed lower left. 20.5 x 18 cm. Slight foxing and thumbtack holes in the corners.
Estimate €200 - €300 -
91 - Yves BRAYER (1907–1990) Place des Vosges in Spring. Oil on canvas. Signed lower left. Titled on the back. 55 x 65 cm. Small spots.
Estimate €2,000 - €3,000 -
92 - Robert HUMBLOT (1907–1962) Repairing a trawler at low tide. Oil on canvas. Signed lower right. 38.5 x 61.5 cm. Slight scuffs.
Estimate €600 - €800 -
93 - Albert BRENET (1903–2005) The Beach at Cabourg. Gouache on paper mounted on panel. Signed lower right. 72 x 107 cm (visible area). Small spots, scratches, and minor crazing.
Estimate €2,000 - €3,000 -
94 - GEN PAUL (1895–1975) The Jockey. Oil on hardboard. Signed in the upper right corner. 41 x 27 cm. Minor scuffs along the edges.
Estimate €1,500 - €2,000 -
95 - Eugène PAUL, known as GEN PAUL (1895–1975) The Guitarist. Oil on hardboard. Signed in the upper right corner. 55 x 33.5 cm.
Estimate €1,800 - €2,500 -
96 - GEN PAUL (1895–1975) The Jockeys. Ink, colored pencil, and gouache on paper. Signed lower left. 50 x 65 cm. Significant central crease and warping.
Estimate €700 - €900 -
97 - Tsuguharu FOUJITA (1886–1968) In the Kitchen (Small Potato Peeler), 1952. Color lithograph on Rives vellum. Signed lower right; numbered 112/220 lower left. Dry stamp of the Guilde de la Gravure in the lower left corner. 46.5 x 36.5 cm. Sheet size: 56 x 38 cm. S. Buisson 52.92. Slightly yellowed.
Estimate €500 - €700 -
98 - Fikret Saygi MUALLA (1903–1967) The Couple, 1954. Ink and gouache on paper. 26.8 x 21 cm. Damage, tears, missing sections, and stains. Bibliography: Marc Ottavi, Kerem Topuz, *Catalog Raisonné of the Works of Fikret Moualla*, 2019, Volume I, reproduced under reference 0936, p. 207.
Estimate €600 - €800 -
99 - Fikret Saygi MUALLA (1903–1967) Nude Study, 1953. Ink and gouache on paper. Signed and dated at the bottom, near the center. 32 x 25 cm. Bibliography: Marc Ottavi, Kerem Topuz, Catalogue Raisonné of the Works of Fikret Moualla, 2019, Volume I, reproduced under reference 0825, p. 186.
Estimate €2,000 - €3,000 -
100 - Marcel MOULY (1918–2008) Interior Scene, 1953. Oil on canvas-backed cardboard. Signed and dated lower right. Counter-signed and inscribed on the reverse. 24 x 35 cm. Stains, scuffs, and creases. Provenance: Collection of Bernard de Saint-Aignan, art critic. Passed down through the family.
Estimate €200 - €300
About the sale
Drouot Appraisals
Hôtel Drouot – Room 6
Friday, November 27, 2026, at 2:00 p.m.
MODERN, POST-WAR, CONTEMPORARY ART & DESIGN
Public Viewing
Wednesday, November 25, from 11 a.m. to 6 p.m.
Thursday, November 26, from 11:00 a.m. to 8:00 p.m.
Friday, November 27, from 11:00 a.m. to 12:00 p.m.
Tel.: 01 48 00 20 06
Contacts
Nicolas COUVRAND – Tel.: 01 48 01 91 02 –ncouvrand@drouot.com
Purchase Orders – Telephone Bidding
Clémence CLAUDE – Tel.: 01 48 01 91 08 –bids@drouot.com
EXPERTS
Prints
Ms. Sylvie COLLIGNON
Expert – Member of the SFEP
45 rue Sainte Anne, 75001 Paris
Tel.: 01 42 96 12 17
Ms. COLLIGNON described lots nos. 97, 121, 122, 126, and 156.
Books
Ms. Danyela PETITOT
40 Avenue de Ségur, 75015 Paris
Phone: 06 62 22 43 47
Ms. PETITOT described lots nos. 57, 61, 62, 102, 110, 127, 128, 136, and 138.
Russian Art & Historical Memorabilia
Maroussia and Maxime CHARRON Gallery
5 Rue Auber, 75009 Paris
Tel.: 06 50 00 65 51
Mr. CHARRON described lots nos. 25 and 68.
Furniture & Works of Art
CABINET COULET
Mr. Romain COULET
Member of the S.F.E.P.
15 rue de Savoie, 75006 Paris
Phone: 06 63 71 06 76
Mr. COULET described lots nos. 27, 32, 33, 35, 70 through 77, 82 through 86, 148, 149, 150, 152, 160 through 165, 175, 176, 179,
SPORTS
Mr. Jean Marc LEYNET
3 Domaine des Bois de Jarcy, 91480 VARRENES-JARCY
Phone: 06 08 51 74 53
Mr. LEYNET described lot No. 135.
Terms of sale
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Conditions de la vente
Les acheteurs paieront en sus de l’adjudication par lot les taxes et frais suivants :
- 23, 21% TTC (pour les livres).
- 26, 40% TTC.
- Frais additionnels DrouotLive : 1,8% ttc
Les dimensions sont données à titre indicatif.
Aucune réclamation ne sera possible pour les restaurations d’usage, les petits accidents, l’exposition ayant permis un examen des objets présentés.
Une exposition publique des objets étant spécialement organisée afin d'examen des objets, les enchérisseurs sont réputés avoir examiné ou avoir fait examiner les objets sur lesquels ils portent leurs enchères et aucune réclamation ne serait reçue s'agissant de défauts apparents ou ceux résultant de l'usage ou l'ancienneté de l'objet.
Le fonctionnement des appareils mécaniques, électriques ou électroniques (montres, horloges, appareils photographiques ou autres) n'est en principe pas garanti, sauf précision expresse de son état de fonctionnement dans la fiche le décrivant.
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*Objet composé en tout ou partie d'ivoire de morse (Odobenus rosmarus), pré-convention, repris aux Annexes III de la Cites et B du Règlement Communautaire Européen 338/97 du 09/12/1996 mc.
De ce fait, l'utilisation commerciale dans l'UE est permise.
Pour une sortie de l'UE un CITES de ré-export sera nécessaire, celui-ci étant à la charge du futur acquéreur.
° Spécimen en écaille de tortue marine Chelonioidea spp (I/A) pré-Convention, antérieur au 1er juin 1947 et de ce fait conforme au Règle CE 338/97 du 09/12/1996 art.2-Wmc.
Pour une éventuelle exportation, il appartiendra au futur acquéreur de se renseigner - préalablement à tout achat - auprès des douanes du pays concerné, particulièrement s'il s'agit des Etats-Unis.
Pour une sortie de l'Union Européenne, un CITES de ré-export sera nécessaire, celui-ci étant à la charge du futur acquéreur.
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Paiement
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Tout règlement par chèque supérieur ou égal à 1 000 € fera l’objet d’une délivrance différée.
- Par virement bancaire et en euros :
BNP PARIBAS
PARIS LA CENTRALE
(00828)
IBAN : FR76 3000 4008 2800 0106 2854 076
- En espèces (décret du 24 juin 2015) :
Jusqu’à 1 000 € frais et taxes comprises pour les ressortissants français, particuliers et professionnels.
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