HENRIETTE CRESPEL (1874-1958) & SPERANZA CALO-SÉAILLES ( - Lot 43

Lot n° 43
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Estimation :
1000 - 1200 EUR
HENRIETTE CRESPEL (1874-1958) & SPERANZA CALO-SÉAILLES ( - Lot 43
HENRIETTE CRESPEL (1874-1958) & SPERANZA CALO-SÉAILLES (1885-1945) Tomatoes, circa 1927. Rectangular lap panel decorated with a tomato still life. Monogrammed "H.C." lower left. H. 45.2 cm; L. 91.5 cm; Thickness 2.2 cm. Wear and scratches. Provenance: Given by Jean-Charles Séailles. Then by descent. Exhibition: Lap, le ciment-roi de l'art déco, September 17 - November 2, 2014, Maison des Arts, Antony. Carton de Crespel, made in Lap by Spéranza Calo-Séailles and Jean Charles Séailles in the laboratory located in Antony. A COLLECTION ABOUT LAP Lap, from the Latin lapis, meaning stone, also known as lapidary enamel, is a special, fast-setting, light-colored aluminous cement with a translucent surface. Mainly used as a decorative material in architecture, it was first showcased in 1925 by Ruhlmann, who incorporated it into the dining room of the Hôtel du Collectionneur. Architect Pierre Patout, meanwhile, used it for all Établissements Nicolas branches. Beyond its practical qualities, the Lap offered artists aesthetic possibilities that were little-known but of remarkable interest. It enabled the creation of decorative works - flat or in relief - in a material combining modernity, precision and sharpness, while at the same time responding to the timeless canons of art, thanks to its intrinsic beauty and the richness of the shades obtained. Indeed, various metals such as gold, silver, platinum and bronze could be incorporated. The Lap d'art workshops, run from 1923 to 1939 by Spéranza Calo and her husband, engineer Jean-Charles Séailles, collaborated with numerous artists on the Parisian scene between the wars: painters, sculptors and decorators. The latter supplied cartoons and models, which the two technicians then produced with them. Master glassmaker Jacques Gruber proposed a design for a Stations of the Cross, while Léonard Foujita imagined a rabbit. Other notable uses of Lap include the works of sculptors Joël and Jan Martel, who used it in the chapel of the Normandie liner to create bas-reliefs and altarpieces in fine gold Lap. Our bas-relief entitled La Danse, fashioned from this noble material enriched with gold, is a perfect example: a sculpture in its own right, the background is entirely sculpted, integrated into the composition rather than simply supporting it. Everything fits together harmoniously, illustrating once again the talent and mastery of these two artists, among the most remarkable sculptors of the 20th century.
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