Extensive collection of literature on contemporary art, from the library of Mr. Bernard Marcade

Wednesday 11 November 2026 at 19:00

7, rue Drouot, 75009 Paris

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Lots (361) Information

361 lots

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BNP PARIBAS

PARIS LA CENTRALE

(00828)

IBAN : FR76 3000 4008 2800 0106 2854 076

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Extensive collection of literature on contemporary art, from the library of Mr. Bernard Marcade

361 lots

1 - ALBEROLA (Jean-Michel). Popular Astronomy. Life-Size. Imshoot, Uitgevers, For Antichambres, Affinités Sélectives, 1990, in-8, hardcover with illustrated dust jacket, slightly sun-faded. Illustrations in black and white and color. One of 25 numbered (No. XIX/XXV) and signed copies.

3 - ALYS (Francis). The Last Clown. Barcelona: Fundació la Caixa, 2000, in-8, loose-leaf with illustrated cover.

4 - ANSELMO (Giovanni). 116 Visible and Measurable Aspects of Infinity. Gian Enzo Sperone, 1975, in-8. Square, paperback. Print run of 1,000 copies

5 - ANSELMO (Giovanni). Lire. Ghent, Imschoot, Uitgevers For Affinités Sélectives, 1990, in-8, paperback. Signed and numbered edition (No. III/XXV).

6 - ARAKI (Nobuyoshi). My Summer Diary. Paris: Kamel Mennour, 2003, folio, hardcover, illustrated cover.

7 - BALDESSARI (John). The Telephone Book (with Pearls). Imschoot, Uitgevers for IC, 1992, in-8, paperback with illustrated cover.

8 - BALTZ (Lewis). San Quentin. Aperture, 1986, oblong quarto, hardcover with illustrated dust jacket. First edition. Includes numerous black-and-white photographs. Print run of 1,200 copies. Includes an invitation card for the book signing at the Michelle Comette Gallery.

10 - BAUMGARTEN (Lothar). Access to the Quays. Parisian Scenes. Paris, ARC, Musée d'Art moderne de la ville de Paris, 1986, in-12, illustrated hardcover. Accordion-fold book with 12 color panels.

11 - BEALU (François) & CLEMENT (Gilles). In Praise of the Wasteland. Paris, Filigranes Éditions, June 1994, 8vo, hardcover.

12 - BEN (Benjamin Vautier, known as). "Gestes." Zurich, Galerie Bishofberger, 1973, in-8, square format, softcover with printed cover. Edition of 1,000 numbered copies (No. 548).

13 - BEN (Benjamin Vautier, also known as). La Jungle de l'art, Tours, CCC, 1988, board game box. The game was published in a limited edition of 1,100 numbered copies (No. 201).

14 - BIRNBAUM (Dara). Every TV Needs a Revolution Gent, Imschoot, publishers, 1993, in-8, softcover with illustrated cover.

15 - BLAIS (J.C.) & PAGES (B.). Deux trois façons. Saint-Paul-de-Vence, Catherine Issert Éditions, 1990, in-4, unpaginated loose-leaf volume in a slipcase. Print run of 350 numbered copies; one of the 300 copies (No. 56).

16 - BLUME (Anna and Bernhard). The Principle of Cruelty. A Polaroid Series. Cologne: Verlag der Buchhandlung Walther König, 2002, in-4, oblong, hardcover. Slightly stained edition. Numbered and signed copy (No. 20/120).

19 - BOLTANSKI (Christian). Catalog. Essays on the reconstruction of objects that belonged to Christian Boltanski between 1948 and 1954. Paris, Galerie Sonnabend, 1971, 8vo booklet, stapled. FIRST EDITION. With 4 black-and-white illustrations.

20 - BOLTANSKI (Christian). Feu No. 4. Paris, Daviot, 1991, one sheet folded in four (70 x 50 cm). A copy of the original edition, printed in a run of 200 copies (No. 192/200) and signed by the author on the cover. The fourth issue of the journal edited by Jean Daviod and Bernard Marcadé.

21 - BOLTANSKI (Christian). Géo Harly, Parody Dancer. Dijon, Adac, 1988, in-8, softcover with printed flaps. FIRST EDITION. This volume from the second series of the album was printed in a run of 300 numbered copies on ivory-colored laid paper (No. 204/300).

23 - BOLTANSKI (Christian). Christian Boltanski's Photo Album. 1948–1956. Paris, Hossmann; Hamburg, Sonnabend Press, 1972, in-8, softcover, cover slightly soiled. FIRST EDITION, printed in a run of 500 copies. Photographs taken by Annette Messager in June 1972.

24 - BOLTANSKI (Christian). The Mickey Club. Imshoot, Uitgevers, for antichambres, 1990, in-8, hardcover with dust jacket. FIRST EDITION. One of 25 numbered copies (No. III/XXV) and signed by the artist.

26 - BOLTANSKI (Christian). Stimulus Images. Warsaw, Galeria Foksal PSP, 1978, in-8, oblong booklet, stapled. Print run of 500 copies.

27 - BOLTANSKI (Christian). Death for Laughs. Adweiler, Aq, 1974, in-8, softcover with printed cover. Includes 14 photographs by the author depicting various forms of suicide. Text in French, English, and German.

28 - BOLTANSKI (Christian). Vacation in Berck-Plage. Stuttgart, Oktagon Verlag, 1995, in-12, yellow cloth-bound. FIRST EDITION. Limited to 500 copies. Copy signed by the artist.

29 - BOLTANSKI (Christian). List of Artists Who Participated in the Venice Biennale, 1985–1995. Paris: Pérolle, 1995, in-4, softcover with printed cover. Published on the occasion of the 46th Venice Biennale and the event’s centennial.

30 - BOLTANSKI (Christian). List of Swiss nationals who died in the canton of Valais in 1991. Lausanne, Cantonal Museum of Fine Arts, 1993, in-8, softcover with printed cover. Print run of 350 copies, 50 of which are signed by the artist. Signed copy.

31 - BOLTANSKI (Christian). Books. Paris: Jennifer Fly; Cologne: Walter König, 1991, in-4, cardboard and black cloth slipcase containing 28 volumes. Limited edition of 900 copies.

32 - BOLTANSKI (Christian). Menschlich. Cologne: Thouet Verlag, 1994, large 4to volume, softcover with illustrated cover.

33 - BOLTANSKI (Christian). Some Interpretations. Paris, CNAC 1974, 8vo, softcover, stapled. Slightly sun-faded. First edition. Print run of 200 copies, signed and numbered by the artist. Our copy is not numbered.

34 - BOLTANSKI (Christian). Some Memories of a Little Girl’s First Communion. Collected and described by Christian Boltanski. Paris, Georges Fall, 1974, in-8 booklet, stapled, slightly sun-faded. FIRST EDITION. One of 150 copies, numbered (No. 148) and signed by the artist in pencil.

36 - BOLTANSKI (Christian). Reconstitution. Whitechapel, Van Abbemuseum, Musée de Grenoble, 1991, in-4, loose-leaf format comprising 18 facsimile documents in a hardcover slipcase. Complete set as published. List of documents on the back of the cover.

37 - BOLTANSKI (Christian). Comic Sketches. Brussels, 1975, in-4, oblong, softcover with printed cover. A few pinholes on the spine of the cover and a worn spine. FIRST EDITION.

38 - BOLTANSKI (Christian). So schnell. Separate edition. Cologne, Salon Verlag; Paris, Yvon Lambert, 1999, in-12, paperback with printed cover. FIRST EDITION. Print run of 1,000 numbered copies (No. 948).

39 - BOLTANSKI (Luc) - BOLTANSKI (Christian). Les limbes. Paris, MF, 2006, in-8, oblong paperback, printed cover. FIRST EDITION. Black-and-white illustrations.

40 - BOURGEOIS (Louise). He Disappeared into Complete Silence. Paris, Editions Dilecta, 2008, in-4, softcover with printed cover. Includes 9 plates. Text in French and English. This facsimile edition has a print run of 2,000 copies. Limited edition of 44 copies, numbered and signed by the artist.

42 - BRECHT (G.) and FILLIOU (R.). Games at the Cedilla, or the Cedilla Takes Off. New York: Something Else Press, 1967, in-8, paperback with dust jacket. FIRST EDITION.

43 - BRECHT (G.). Cloud Scissors. Music, dance, stories, games, puzzles, jokes, defections, solutions, problems, biography, questions, poems, answers, gifts. To Robert Filliou from George Brecht. A series of 7 cards enclosed in an envelope. c. 1964.

44 - BROODTHAERS (Marcel). - *I Wash My Hands of It*. Zurich, Seedorn Verlag, 1982, in-8, paperback. Printed in a run of 500 copies. - No Photography Allowed. Oxford, Museum of Modern Art, 1975, in-8, oblong, paperback. Set of 2 vols.

45 - BROODTHAERS (Marcel). Daumier’s Angelus, Part 1 and Part 2. Paris, Centre national d'art Georges Pompidou, October 2–November 10, 1975, 2 vols., in-4, softcover with printed cover. First edition. Published on the occasion of the exhibition: Marcel Broodthaers, “Daumier’s Angelus,”

46 - BROODTHAERS (Marcel). The Session. Vegetarian Racism. A film by Marcel Broodthaers. 4° booklet, contribution to issue no. 11 of the journal Interfunktionen. Cologne, B.H.D. Buchloh, 1974, in-4, softcover. Published in an edition of 300 unsigned and unnumbered copies.

47 - BROODTHAERS (Marcel). Magic. Paris: Art et politique, Multiplicata, 1973, in-8, paperback. One of 400 unnumbered copies, monogrammed by the author on the last page.

48 - BROODTHAERS (Marcel). I, too, wondered if I couldn’t sell something and make a success of my life… Galerie Saint Laurent, April 10–25, 1964, invitation printed on a magazine page, front and back, folded. 33 x 25 cm. Trace of tape on the front cover.

49 - BROODTHAERS (Marcel). Mussels, Eggs, French Fries, Pots, Coal, Parrots. Antwerp, Wide White Space Gallery, 1966, in-8, softcover with illustrated cover. Includes 4 reproductions.

50 - BROODTHAERS (Marcel). MTL. March 13, 1970 – April 10, 1970. Galerie MTL, 1970, in-4, softcover with printed cover.

51 - BROODTHAERS (Marcel). Tinaia 9 box. Cologne, Tinaia 9 Verlag GmbH, 1994, in-4, in a slipcase. Limited edition of 1,500 copies. The slipcase includes a sculpture, an artist’s book titled *Magie*, a film by René Magritte presented by the Museum of Modern Art, interviews, and 6 books.

52 - BROODTHAERS (Marcel). Try Again Twenty Times. Dijon, Adac, 1988, in-8, paperback. This volume, the third in the series, had a print run of 300 copies.

54 - BUREN (Daniel). 1989–1966. Ameliobrachot. Unique piece. Paris, 1989, in-4, loose-leaf with illustrated cover (crease on one corner of the cover). Unnumbered multiple consisting of screen-printed pages cut at right angles.

55 - CADERE (André). Presentation of a Work. Use of a Work. Hamburg, Hossmann, Brussels, MTL, 1975, in-8, paperback. First edition, printed in a run of 1,000 copies.

56 - CALLE (Sophie). Greeting card by David Klatzmann. Published by the artist, 1999, signed and numbered (No. 39/100).

57 - INVITATION CARD - OPENING RECEPTION: Glen Baxter. French Tour '91. Poitiers/Museum of Fine Arts, Mulhouse/School of Fine Arts, Rennes/FRAC Franche-Comté, Dôle, 1991, in-12. - The Best of Présence Panchounette. 1969. - Buren. Glass, Shards, Mirrors. 1985. - Paul-Armand Gette. Christmas Card.

58 - Invitation cards, posters by various artists—Weiner, Tuttle, Broodthaers, Schütte, Kelley, Gonzalez-Torres, Lachapelle, Gilbert and George, etc.—

60 - COMBAS (Robert) - MARCADE (Bernard). Robert Combas. Paris, Éditions de la Différence, 1991, in-4, hardcover, published in a slipcase.

61 - COMBAS (Robert) - PALETTE (Jim). Robert Combas, *Le Fan*, etc. Paris: Galerie Beaubourg, Éditions de la Différence, 1989, in-8, softcover with illustrated cover. Includes a drawing and a signed autograph dedication by the artist.

62 - COMBAS (Robert). Issue No. 2, Summer 1990, a sheet folded into quarters. Features a text and color drawings by Robert Combas. One of 200 copies numbered and signed by the artist (No. 191/200).

63 - COMBAS (Robert). Retrospective. Les Sables d'Olonne, Musée de l'Abbaye Sainte-Croix, 1985, in-8, softcover with illustrated cover. Includes a drawing and an autographed dedication by the artist on the half-title page.

64 - CORILLON (Patrick). Patrick Corillon. Catherine de Sélys-Oskar Serti. Telephone Correspondence. Sète, Éditions villa Saint-Clair, 1991, in-8, softcover with printed cover.

65 - CY TWOMBLY. Bacchus. New York, Gagosian Gallery, 2005, large 4-page format, oblong, hardcover edition.

66 - CY TWOMBLY. Memories of d'Arros and Gaeta. Zurich, Thomas Ammann Fine Art, 1992, folio, hardcover. One of 1,000 numbered copies (No. 652).

67 - CY TWOMBLY. The Rose. London, Gagosian Gallery, 2009, folio size, loose-leaf in a cardboard slipcase. Includes 5 booklets illustrated with 5 color plates.

68 - DARBOVEN (Hanne). El Lissitzky: Art and Pangeometry. Brussels: Edited and published by Daled, Hossmann, Hamburg, and Yves Gevaert-Société des Expositions, Brussels, 1973, in-4, paperback.

70 - DELVOYE (Wim). 1,500-piece puzzle. Ana Kiss. 1999. In its original box. Like new.

71 - DELVOYE (Wim). Action figure and cloaca. Action figure and accessories. In its original box. Limited edition of 3,000 copies.

73 - DIETER & BJORN ROTH. Marseille, Mac, 1997, in-4, loose-leaf in a folder.

74 - FABRO (Luciano). Kunst wordt terug kunst/ L'art redevient l'art. Imschoot, Uitgevers For Antichambres, Affinités Sélectives, 1990, in-8, paperback. Signed copy (no. III/XXV).

75 - FELDMANN (Hans-Peter) & Duval (Céline). - Cahier d'Images. No. 1, Hasard. Düsseldorf, Feldmann Verlag, 2001, in-8, softcover with illustrated cover. Limited edition of 600 copies. - No. 3. Cahier d'Images. Red. Düsseldorf, Feldmann Verlag, 2001. Set of 2 vols.

76 - FELDMANN (Hans-Peter). Profile No. 6, February 7, 2000, *Ohne Worte*. Düsseldorf, Museum in Progress, Vienna/Feldmann Verlag, 2000, Agnès b., Paris, July 2000, in-4, paperback.

77 - FELDMANN (Hans-Peter). - *Voyeur*. La Flèche, Ofac Art contemporain, 1994, in-12, paperback. - Racconti d'Arte. Tales of an Artist. Histoires d'art. Paris, Musée d'Art Moderne de la Ville de Paris, 1992, in-12, paperback. Set of 2 vols.

79 - FULTON (Hamish). Milan, Toselli, 1974, oblong in-4, hardcover. Copy signed on the endpaper.

80 - GENERAL IDEA. The Getting into The Spirits Cocktail Book From the 1984 Miss General Idea Pavilion. Toronto, Art Metropole, 1980, in-12, hardcover. Numbered and signed copy (No. 243/900).

81 - GETTE (Paul-Amand). This guy doesn't give a damn, or Aphrodite's panties. Le Havre, 6 quai des Arachides, 1993, in-8, loose-leaf in a black folder screen-printed and stenciled in red. FIRST EDITION, limited to 100 copies, signed and dated by the artist.

85 - GETTE (Paul-Armand). Cinématographies. Paris, Mfc-Michèle Didier, 2017, in-4, hardcover. Our copy is numbered E.A. (14/10??) and signed by the artist. Does not include the photograph.

86 - GETTE (Paul-Armand). Colour etc. Lille, Alain Byse, 1987, in-4, oblong, loose-leaf with printed cover, slightly sun-faded. FIRST EDITION. One of 90 copies numbered (No. 22/90) and signed by the artist.

87 - GETTE (Paul-Armand). Elisabeth, or Reading. Liège, Yellow Now, 1976, oblong 16mo, softcover with printed cover. FIRST EDITION. With 10 black-and-white illustrations on pink-tinted paper. One of 114 numbered copies (No. 87).

88 - GETTE (Paul-Armand). The Excursion of February 14, 1973. A Contribution to the Study of Confined Spaces. Liège, Yellow Now, 1974, in-12, in 7 folios. Printed cover. With 4 photographs. One of 64 copies on publication paper (no. 37/75).

90 - GETTE (Paul-Armand). A Passion for Naples Yellow & Much More. Lille, Z.A.9, 1991, in-12, loose-leaf with printed cover. FIRST EDITION. Limited edition of 300 numbered copies (No. 241).

91 - GETTE (Paul-Armand). The Beach. Film and Video Works. Paris, National Center for Contemporary Art, 1975, in-4, 17 ff. in loose sheets with a black cover with flaps, label affixed to the front cover. Edition of 500 copies, numbered (No. 448/500) and signed by the artist.

92 - GETTE (Paul-Armand). The Aziyadé Suite. Paris: Georges Fall, 1999, loose-leaf portfolio. Includes 3 original, signed, and numbered silkscreen prints (No. 100/100).

93 - GETTE (Paul-Armand). Color Theory and Its Applications. Issue No. 5. Winter 1992, a sheet folded into quarters. The fifth issue of the journal edited by Jean Daviot and Bernard Marcadé. One of 200 numbered copies (No. 146/200) signed by the artist.

94 - GETTE (Paul-Armand). The Lake. Ringsjön. A Contribution to the Study of Confined Spaces. Liège, Yellow Now, 1876, in-12, oblong, printed softcover. FIRST EDITION. With 7 photographic plates. One of 252 numbered copies (No. 140).

95 - GETTE (Paul-Armand). Les mythologies apprivoisées. Sète, Villa Saint Clair, 2005, in-8, hardcover with camouflage cloth. One of 20 copies numbered (No. XVI/XX) and signed by the artist. Deluxe edition with 2 original photographs.

44 - BROODTHAERS (Marcel). - I Wash My Hands of It. Zurich, Seedorn Verlag, 1982, in-8, paperback. Printed in a run of 500 copies. - No Photography Allowed. Oxford, Museum of Modern Art, 1975, in-8, oblong, paperback. Set of 2 vols.

51 - BROODTHAERS (Marcel). Tinaia 9 box. Cologne, Tinaia 9 Verlag GmbH, 1994, in-4, in a slipcase. Limited edition of 1,500 copies. The slipcase includes a sculpture, an artist’s book titled Magie, a film by René Magritte presented by the Museum of Modern Art, interviews, and 6 books.

61 - COMBAS (Robert) - PALETTE (Jim). Robert Combas, Le Fan, etc. Paris: Galerie Beaubourg, Éditions de la Différence, 1989, in-8, softcover with illustrated cover. Includes a drawing and a signed autograph dedication by the artist.

76 - FELDMANN (Hans-Peter). Profile No. 6, February 7, 2000, Ohne Worte. Düsseldorf, Museum in Progress, Vienna/Feldmann Verlag, 2000, Agnès b., Paris, July 2000, in-4, paperback.

77 - FELDMANN (Hans-Peter). - Voyeur. La Flèche, Ofac Art contemporain, 1994, in-12, paperback. - Racconti d'Arte. Tales of an Artist. Histoires d'art. Paris, Musée d'Art Moderne de la Ville de Paris, 1992, in-12, paperback. Set of 2 vols.