Edgard DEGAS (1834-1917) - Lot 101

Lot n° 101
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Result : 318 000EUR
Edgard DEGAS (1834-1917) - Lot 101
Edgard DEGAS (1834-1917) Horse walking with a raised walk. Proof in bronze with brown patina. Mark of the stamp "Degas". Foundry mark "cire/perdue/A.A Hebrard", numbered 11/E on the terrace. H. 23,1 cm - W. 22,5 cm - D. 8,6 cm. Dimensions of the base : 8,6 x 2 cm. Work realized from the original model in red wax conceived in 1881, this proof is melted between 1919 and 1937 or later. This proof is from an edition comprising 20 proofs numbered from A to T, 17 of which are localized, as well as two other proofs inscribed HER and HERD. Provenance: French private collection. Bibliography : Joseph S. Czestochowski & Anne Pingeot, Degas Sculptures, Catalogue Raisonné des Bronzes, Memphis, 2002, listed as #11 p142-143. John Rewald (ed.), Degas. Works in Sculpture. A Complite Catalogue, New York, 1944, no. IV, another illustrated print on p. 39. John Rewald, Degas Sculpture, London, 1957, another illustrated print pls 7 and 21. Franco Russoli & Fiorella Minervino, l'Opera completa di Degas, Milan, 1970, n°S 39, another proof illustrated p.143. John Rewald, Degas's Complete Sculpture. Catalog Raisonné, San Francisco, 1990, no. IV, another illustrated print on p. 50. Anne Pingeot & Frank Horvat, Degas Sculptures Paris, 1991, n°39, another proof illustrated p82-83 & 172. Sara Campbell, Richard Kendall, Daphne Barbour & Shelley Sturman, Degas in the Norton Simon Museum, Pasadena, 2009, vol II, n°33, another illustrated print p230 & 231. This work belongs to the authentic and legitimate posthumous production of Edgar Degas published by A.A. Hébrard. We thank the Galerie Brame & Lorenceau for the information they have given us on this work. A letter dated February 13, 2023, confirming the authenticity of the work will be given to the buyer. In the second half of the 19th century, racecourses became a very fashionable place to socialize: the Parisian bourgeoisie rubbed shoulders with the aristocracy, and an artist like Degas was present there in search of motifs, a tireless observer of the anatomy and movement of racehorses. This interest would last throughout his work and he would translate it into drawings, pastels, oils and sculptures. In 1917, at the death of the artist, the gallery owner Paul Durand-Ruel inventoried 150 wax models in the studio: dancers, women at the toilet, horses. 74 sculptures were finally published and cast by Hébrard, each with 20 copies. The great museums will acquire complete series. The "Walking Horse" is one of the most beautiful successes of the series by its elegance, its sense of anatomy, the complex seizure of the movement as well as the nuances of light, shining and matte of the coat of the horse. This object was part of the X. collection of which Drouot Estimations has already dispersed two dancers on December 17, 2021. Other examples of the "Walking Horse" are in the Musée d'Orsay, Museum of Modern Art of New York, FitzWilliam Museum in Cambridge.
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