QUENEAU Raymond (1903-1976). AUTOGRAPHIC... - Lot 164 - Drouot Estimations

Lot 164
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QUENEAU Raymond (1903-1976). AUTOGRAPHIC... - Lot 164 - Drouot Estimations
QUENEAU Raymond (1903-1976). AUTOGRAPHIC MANUSCRIT, Le Lendemain, [1950]; 9 pages in-4, in black ink and pencil on 7 sheets of school notebook. Script, cut and timing of the only film directed, written and performed by Raymond Queneau. Le Lendemain (The Day After Tomorrow) is a short film made from August 25 to 27, 1950, written and performed by Raymond Queneau. He plays the main role, that of the "guy". The action is minimal. The camera lingers on a man with a "completely stupid" face, who is picking his nails, then his teeth, then his nose. A handkerchief appears, held out by a girl who smiles at the man. The two characters walk away as if at the end of a Chaplin film. The images are interspersed with a view of a print representing the death of Louis XVI. Raymond Queneau carefully numbered and detailed each scene, each camera movement: "56. Traveling down on the guy. 57. His forehead. 58. His face, quite dumb. 59. He starts picking his nails. 60.61. Hands picking nails. 62. We go down to the feet. 63. Going up to the mouth. 64. The Mouth". At the end of the manuscript, Queneau counted the number of shots, calculated the length of the film (6 mn 30) and the number of meters of film needed. A small sketch on the back of the fourth page probably represents the journey of the young man and girl at the end of the film. The Day After Tomorrow was financed by the Cinémathèque française, directed by Henri Langlois. He wanted to entrust the making of films to artists who were not professional filmmakers (such as Jean Genet and Un chant d'amour). The Day After Tomorrow had a single screening on September 25, 1950 at the Antibes festival. Afterwards, Queneau forbade the diffusion of the film, without giving the reasons for this ban. It seems that the film's reels have disappeared forever. This autograph script is the only trace of this invisible film, Raymond Queneau's first and only foray into the art of filmmaking. Attached is the corrected typescript of another screenplay, Le Retard (23 pages in-4), unpublished and never shot, probably from the late thirties. Queneau planned a prestigious cast: Pierre Brasseur, Jean Tissier, Jacques Dumesnil, Marie Déa, Annie Ducaux... The action takes place in Le Havre, Queneau's hometown. Plus the file of an original unpublished screenplay, Tête de sons, [1946]: autograph notes (1 p. in-4) and 2 corrected typescripts (3 and 8 p. in-4).
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