BRUXELLES, premier quart du XVIème siècle

Lot 115
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Estimation :
30000 - 50000 EUR
Result without fees
Result : 41 000EUR
BRUXELLES, premier quart du XVIème siècle
Domestic devotional tapestry in wool and silk, gold and silver thread, representing the Holy Family. On the right, the Virgin seated on a throne bench, with uprights and feet turned, carrying the Child on her knees; the latter stretches out his two arms towards Joseph who shows him a pear; flowery parterre in the foreground and landscape in the background; border of red roses on a dark blue background. Brabant, Brussels, probably after a carton from the entourage of Jan van Roome, known as Jean de Bruxelles, around 1520. H.: 103 cm - W.: 113 cm. Slight restorations, lined. Book consulted: A. Huysmans under the direction of, La sculpture des Pays-Bas méridionaux et de la Principauté de Liège, XVe et XVIe siècles, musées royaux d'art et d'histoire, Brussels, 1999, pp. 100-101. Certificate of authenticity by Dario Boccara, Paris. This tapestry is part of a rather limited corpus of small tapestries, whose heights are around one meter, which were intended for private devotion. Generally of low smoothness, they are of a particularly refined weaving with highlights of gold and silver threads. They represent religious scenes with a tight composition, framed by borders with a floral theme, and are the work of Brussels workshops working in the first decades of the 16th century. Their compositions were given to certain Flemish painters such as Rogier van der Weyden and Jan van Roome. The former tapestry specialist Dario Boccara attributed this Holy Family to an artist belonging to the entourage of this Brussels painter, who was mentioned between 1498 and 1521, and who is also known to have supplied patterns for stained glass windows.
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