GOUNOD Charles.

Lot 284
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Estimation :
4000 - 5000 EUR
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Result : 3 500EUR
GOUNOD Charles.
5 autographed MUSICAL MANUSCRIPTS signed "Ch. Gounod", 1872-1874; 59 pages in-fol. Set of three melodies with orchestra, two of them with their vocal-piano versions. The Worker [CG 460; Condé p. 735-736]: "The night lay o'er the city"..., on a poem by Frederic Edward Weatherly, telling the end of life of a worker watched over by angels. - Sung-piano version in brown ink on 26-line paper (4 pages in-fol.), used for the engraving of the Goddard edition; it shows corrections and traces of scratching. It bears at the head the dedication to Georgina WELDON : " Dedicated to and sung by Mrs Weldon ". In D minor, it is marked Andante. - Orchestral score signed and dated on the title page: "London. March /72. (Easter Sunday)". The manuscript, carefully noted in black ink on 24-line bifeuillets of paper Lard-Esnault, shows some corrections and traces of scratching; it is marked Adagio (title and 25 pages in-fol.; plus a copy of the vocal part). Ilala, May 1873 [CG 391; Condé p. 680-681] : " The swarthy followers stood aloof "..., on a poem by Richard Monckton Milnes, Lord Houghton, on the death of David LIVINGSTONE in Africa on 1 May 1873. - Manuscript for voice and piano, in brown ink on 12-line paper, used for the engraving of the Goddard edition (6 pages in-fol.). In E minor, it is marked Andante (mournful). - Orchestral score (April 1874, completed 27 April), copy in Georgina's hand Weldon (27 p. in-fol. including title, on which she has pasted a newspaper clipping in English, Gounod's statement about Ilala). Bolero [CG 354; Condé p. 652-653], orchestral score "played for the first time with Orchestra at the Philharmonic. Monday 15th June 1874', as Georgina Weldon noted on the title page, on which she also stamped her ink Georgina Weldon for the Orphanage. Gounod carefully notated his manuscript in brown ink on 24-line paper; the vocal part is notated without words (except for the final two bars: "las calles a rondar?"), in ink for the first 2 and last 6 bars, the rest throughout in pencil. He signed the title page and stamped each page in blue ink. The manuscript, which shows some traces of scratching corrections, was used as a conductor as shown by some annotations in red pencil. The original melody was written in early 1871 for Pauline Viardot, to whom it is dedicated. Title and 24 pages in-fol.
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